Subplot: After moving, the daughter meets the man of her dreams. The father befriends this young duo, perhaps a little too much. They encounter another young lady and her young daughter. Subplot: Father helps daughter move across country. Father never understood how he became so estranged from his daughter and tries to make amends.
Daughter is now turning 30 and wants nothing to do with him. Main plot: Daughter and father haven’t gotten along since childhood. What are some of your favorite works with multiple running plot lines? If you're just writing an extra one for the sake of writing it, it's probably best left out If you're going to create a new plot line, commit to it, and give it significance. Readers want to come along on the journey, so don't leave them out in the cold. Your readers will not look favorably upon your work if you introduce a character's conflict, and then don't come back to it for 200 pages. Maybe the resolution to one plot leads directly to the climax of another plot, or all of the plots meet at one point and suddenly your reader is hit with the significance of everything that has happened in the previous 200-500 pages.īalance is key when writing multiple plot lines as well. In addition to making the characters significant to each other's story lines, try weaving the plots together so they come to a head at the climax of your story. The less work you make for your reader, the longer they'll stick with you to see what's coming next. If you take that approach, then make sure it's clear when the point of view changes, whether it's an act break or the start of a new chapter. If you're writing from a third person omniscient standpoint, you can give the reader insight into any character's head that you please. Introduce breaks when the character point of view changes. If you have multiple characters entwined in the same plot line, that cleans up the action and makes it much easier for the reader to follow what's going on. Make the characters relevant to each other's plots. If you find yourself in that situation, here are a few ways to manage those plot lines. A consequence of having an army of characters is that you will have a lot of plot lines as well. This happens in literature as well, as anyone who has read any of the Song of Ice and Fire series can attest. Often times, if you miss the C- and D-stories, you won't really have missed anything until about ten episodes later when that action becomes important. Occasionally there will be a third line, known as the C-story, and if the writers are feeling particularly ambitious that day, they might even squeeze a D-story in there.
#Macspice cannot see the plot lines tv#
In typical TV storyline fare, a single episode will usually have two plot lines, referred to as the A-story and the B-story.
#Macspice cannot see the plot lines how to#
It raises the question: how many plots does it take to make you go crazy? How to Manage Multiple Plot Lines If you take a bathroom break without pausing, by the time you come back, China has fired missiles at Taiwan, the Vice President has removed his name from a bill he feels passionately about, and the sexual tension between Josh and Donna has increased ever so slightly. One thing I've noticed in watching the show: you REALLY have to pay attention to keep track of everything that's happening. The writing is sharp, the characters are great, and Sam Seaborn is challenging Chris Traeger for the title of Rob Lowe's greatest contribution to pop culture. I'm about a decade late to the party, but I've recently discovered The West Wing on Netflix, and it has quickly overtaken my life.
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